51Due教员组给各位留学生分享一篇纯原创代写范文essay，文章主要讨论Zanele Muholi是一名非洲摄影师，他自称的使命是“改写南非的黑人酷儿和跨视觉历史，让世界了解我们在南非及其他地区仇恨犯罪最严重的时候的抵抗和存在”。基于此，不难发现她对非洲女性的命运做出了巨大贡献，她的许多作品也有助于实现她的使命，这将通过我们参观的名为Somnyama Ngonyama的展览来详细阐述，展览中的黑色墙壁上有白色的文字，这使它易于阅读。黑白背景与作品非常契合，使整个展览成为一个整体。同时，地板非常明亮，墙上的作品在地板上也有阴影。这样一来，观众往往会两次欣赏这些作品。
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Criticism of Zanele Muholi’s Exhibition
Zanele Muholi is an African photographer whose self-proclaimed mission is “to rewrite a Black queer and trans visual history of South Africa for the world to know of our resistance and existence at the height of hate crimes in South Africa and beyond”. Based on this, it is not hard to find that she has really contributed a lot to the destiny of African women and many of her works can help deliver her mission as well, which will be elaborated on by involving her exhibition that we have visited called Somnyama Ngonyama, Hail the Dark Lioness Curated by Renee Mussai from September 14, 2018 to December 8, 2018.
First and foremost, the black wall with white words on it in the exhibition makes it easy to read. And the black and white background fits in quite well with the works so as to make the entire exhibition a whole. At the same time, the floor is so bright that the works on the wall as well have shadows in the floor. In this way, the audience tends to appreciate those works twice.
And then what I would like to talk about is that most of the works exhibited are the self-portraits of black women, which may be related to her mission to help those black women. As a matter of fact, those self-portraits reflect the journey, possibilities and self-image of a black woman in today’s society. Through those self-portraits, Zanele Muhol’s radical statements about identity, race and resistance can be seen as a direct response to contemporary and historical racism. Or maybe it can be put in another way that all these self-portraits can be seen as the weapons for those black women to fight against the unequal treatment that they have received.
Moreover, many of the works are exhibited quite close to one another on the same wall, which makes it more shocking for the audience when they see the various monographs at the same time. In this way, the audience can know about the history of black women and rethink what history is all about, leading to the protection of those black women to some extent. As a matter of fact, those works provides me a heavy feeling and I am really sympathetic for those black women. What is the most impressive is the eyes of those black women and they seem to talk about a series of sufferings that the black women have experienced in the past, which strengthens my heavy mood. According to this, it is obvious that Zanele Muholi is effective in protecting a large majority of black women.
Last but not the least, what will be mentioned is that some black women directly lie down in the works, which definitely draws the attention of the audience because the audience would like to figure out why Zanele Muholi would like to portray the black women on the bed without their face identified. Maybe Zanele Muholi would like to use the lying woman as the representation of all black women.
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